An Ethiopian circus company, touring theatres, festivals and big tops
Ethiopian acrobats, jugglers and contortionists in one live show built on speed, music and nerve.
Rehearsal, get-in and performance — the same company, the same night.
The show runs on human beings and rhythm: tumbling passes across the full width of the stage, hand-to-hand and pyramid work, clubs and rings in the air, contortion, Chinese pole, and a live band that cues every catch. No dialogue, no animals, nothing on screen — an audience of any language follows every second of it.
The company tours as a unit. The performers, the music and the rig travel together, so what a promoter books in one room is the same show that lands in the next.
Four ways the show goes out. Tell us which one fits your room and your date.
The complete production, two acts with an interval, for theatres and big tops.
A shorter afternoon version for younger audiences and school holiday programmes.
A self-contained outdoor set for festival stages and street programmes.
Acrobatics and juggling sessions for schools and youth circus groups while the company is in town.
Running times, stage requirements and fees are agreed per engagement and confirmed in writing — send an enquiry and we will put a proposal together.
Town, venue or festival, the dates you are holding, and roughly who the audience is. That is enough to start.
Which version of the show fits, what it needs from your stage, and the full technical rider so your crew can read it before anyone signs.
The company arrives with its own rigging and props, works through the plot with your technicians and runs the show in the room before doors.
Performance, curtain call, and a clean get-out the same night or the next morning, whichever your schedule needs.
Tumbling, pyramids, hand-to-hand and contortion trained in the Ethiopian tradition — the kind of floor work an audience leans forward for.
Musicians on stage with the acrobats. Tempo follows the trick, not a timecode, so no two performances land identically.
Proscenium theatre, big top or open-air festival stage: the set and the rig adapt, including rooms with no fixed rigging points.
Nothing to translate and nothing to explain. It reads the same to a five-year-old and to the grandparent next to them.
Rider ahead of time, company crew on the road with the show, and a plot your technicians have already seen on paper.
Schools and youth-circus workshops can run while the company is in your town, led by the people on stage that night.
No. Every act is performed by people — acrobats, jugglers, contortionists and musicians.
It is written for a general family audience and works from young children upward. There is no spoken dialogue, so nothing depends on the language of the room.
Stage depth and height are the two things we check first, along with rigging points or room for a self-supporting rig. The full technical rider goes out with the proposal so your crew can read it before you commit.
Yes — the festival set is built for daylight and open-air stages. Outdoor dates carry the usual weather conditions, which we agree with you in writing.
The company tours, and routing is planned around dates that sit together. Tell us where you are and we will say honestly whether it works for the period you are holding.
Theatre, festival, big top or school programme — send the date you are holding and we will take it from there.
Thank you — someone from the company will get in touch shortly about dates and what the show needs from your room.
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